Morey & Barnes (Opus 162, 1895)

Unitarian-Universalist / "The Cobblestone Church"

Cortland, NY, US

  • Notes: 58 notes, all ranks full compass
  • Notes: spotted, slotted; 15 in facade
  • Notes: spotted, slotted; 10 in facade
  • Notes: open wood; 12 stopped wood basses
  • Notes: spotted, slotted; basses offset
  • Notes: spotted, slotted, harmonic from c25
  • Notes: spotted, slotted
GREAT🛈
8'Open Diapason *🛈
8'Dulciana🛈
8'Melodia🛈
4'Principal🛈
4'Flute Harmonique🛈
2'Super Octave🛈
  • Notes: 58 notes, enclosed
  • Notes: 58 pipes; spotted, slotted, 12 stopped wood basses
  • Notes: 58 pipes; spotted, slotted, 12 capped metal basses
  • Notes: 58 pipes; stopped wood, bored stoppers, 9 open metal trebles
  • Notes: 58 pipes; spotted, coned
  • Notes: 58 pipes; restored in 1975 by A. R. Strauss, replacing a spurious TC Dulciana tuned as a celeste; spotted, recycled old pipes
  • Notes: 46 pipes; spotted on zinc, 9 open metal trebles, low C signed: "Nov. 1st 1894/C.H. Moore/voicer"
SWELL🛈
8'Open Diapason🛈
8'Aeoline🛈
8'Stopped Diapason🛈
4'Octave🛈
2'Flageolet *🛈
8'Oboe🛈
  • Notes: 27 notes
  • Notes: 27 pipes; a single 27-pipe rank of stopped wood on a chest with two sliders
PEDAL🛈
16'Sub Bass🛈
16'Bourdon
COUPLERS
Swell to Great
Great to Pedal
Swell to Pedal
  • Notes: (knob and shank missing)
PEDAL MOVEMENTS
Great P
Great F
Signal 🛈