Stoplist Details: Hagerstown Organ Company, Inc. 2003 | St. John's Episcopal Church - Hagerstown, MD, US

	Great (II) Position: In Side Chambers at the Front of the Room. Facade Pipes or Case Front Visible Stop Action: Electric
16'	Gemshorn	61
8'	Principal Notes: 1-6 from Ped. 8' Octave	55
8'	Bourdon	61
8'	Gemshorn Notes: ext. 16' Gemshorn	12
4'	Octave	61
4'	Koppel Flöte	61
2 ²⁄₃'	Quinte	61
2'	Block Flöte Notes: ext. 4' Kop. Fl.	12
1 ³⁄₅'	Terz	61
III-IV	Fourniture	227
III	Zimbel	183
16'	Kontra Fagott	61
8'	Trompete	61
8'	Fagott Notes: ext. 16' Kon. Fag.	12
	Tremulant
8'	Trompette en Chamade	61
	Chimes

	Swell to Great 16 16' Swell to Great
	Swell to Great 8' Swell to Great
	Swell to Great 4 4' Swell to Great
	Positiv to Great 16 16' Positiv to Great
	Positiv to Great 8' Positiv to Great
	Nave on Great 8' Nave to Great

	Swell (III - Expressive) Position: In Side Chambers at the Front of the Room. Facade Pipes or Case Front Visible Stop Action: Electric
16'	Bourdon Notes: 1-12 digital; 13-61 from 8' Fl. Couv.
8'	Principal	61
8'	Flûte Couverte	61
8'	Gambe	61
8'	Gambe Celeste [FF#]	55
4'	Prestant Notes: ext. 8' Princ.	12
4'	Flûte Harmonique	61
2 ²⁄₃'	Nazard	61
2'	Doublette	61
2'	Piccolo Notes: ext. 4' Fl. Harm.	12
III	Plein Jeu	183
16'	Basson	61
8'	Trompette	61
8'	Hautbois Notes: ext. 16' Basson	12
8'	Cromorne Notes: ext. Pos. 16' Cromorne	12 POS
4'	Clairon	61
	Tremulant

	Swell 16 16' Swell to Swell
	Unison Off Swell Unison Off
	Swell 4 4' Swell to Swell
	Nave on Swell 8' Nave to Swell

	Positiv (I) Position: In Side Chambers at the Front of the Room. Facade Pipes or Case Front Visible Stop Action: Electric
8'	Principal	DIG
8'	Pommer	61
[8]	Dolce Celeste II Notes: electronic	DIG
4'	Klein Principal	61
4'	Nachthorn	61
2'	Octave	61
1 ¹⁄₃'	Larigot	61
1'	Sifflöte	61
II	Sesquialtera [TC]	98
III	Zimbel	183
16'	Cromorne	61
8'	Clarinette	61
	Tremulant
8'	Trompete	GR
8'	Trompette en Chamade	GR

	Positiv 16 16' Positiv to Positiv
	Unison Off Positiv Unison Off
	Swell to Positiv 16 16' Swell to Positiv
	Swell to Positiv 8' Swell to Positiv
	Swell to Positiv 4 4' Swell to Positiv
	Nave on Positiv 8' Nave to Positiv

	Nave Position: Pipes Exposed on the Rear Wall Stop Action: Electric
8'	Principal Notes: 1-12 from 8' Bourdon; 13-61 from 4' Octave
8'	Bourdon	61
4'	Octave	61
4'	Gedeckt Notes: ext. 8' Bourdon	12
2'	Super Octave Notes: ext. 4' Octave	12
III-IV	Mixture	183

	Nave Pedal Position: Pipes Exposed on the Rear Wall Stop Action: Electric
16'	Bourdon Notes: ext. Nave 8' Bourdon	12
8'	Gedeckt	NV

	Pedal Position: In Side Chambers at the Front of the Room. Facade Pipes or Case Front Visible Stop Action: Electric
32'	Untersatz Notes: electronic	DIG
16'	Principal Notes: electronic	DIG
16'	Subbass	32
16'	Gemshorn	GR
16'	Gedeckt Notes: electronic	DIG
8'	Octave	32
8'	Offenflöte	32
8'	Gemshorn	GR
5 ¹⁄₃'	Quinte Notes: ext. 2 2/3' Quinte	12 GR
4'	Choral Bass Notes: ext. 8' Octave	12
4'	Flöten Notes: ext. 16' Subbass	24
2'	Nachthorn	POS
IV	Mixture	128
32'	Kontra Posaune Notes: electronic	DIG
16'	Posaune Notes: ext. Gr. 8' Trompete	12
16'	Basson	SW
8'	Trompete	GR
4'	Fagott	GR

	Swell to Pedal 8' Swell to Pedal
	Swell to Pedal 4 4' Swell to Pedal
	Great to Pedal 8' Great to Pedal
	Positiv to Pedal 8' Positiv to Pedal
	Nave to Pedal 8' Nave to Pedal