Robert Gladden & Associates (after 2000)

Haddonfield [United] Methodist Church (Sanctuary)

Haddonfield, NJ, US

  • Position: In Side Chambers at the Front of the Room. Facade Pipes or Case Front Visible
  • Stop Action: Electric
  • 8' Antiphonal to Great
Great (II)πŸ›ˆ
16'Viol-Principal
8'Montre
8'Diapason
8'Viol-Principal
8'Flute Harmonique
8'Hohlflote
8'Viole Pomposa II
4'Octave
4'Rohrflote
2β…”'Nazard
2'Fifteenth
2'Flachflote
1β…—'Tierce
IVMixture 1β…“'
IIIMixture Β½'
16'Posaune
8'Trumpet
4'Clarion
Tremulant
16'Trompette
8'Trompette
4'Trompette
8'Trumpet-en-Chamade SO
16'Great to Great
Great Unison Off
4'Great to Great
16'Swell to Great
8'Swell to Great
4'Swell to Great
16'Choir to Great
8'Choir to Great
4'Choir to Great
16'Solo to Great
8'Solo to Great
4'Solo to Great
Antiphonal on Great
  • Position: In Side Chambers at the Front of the Room. No Visible Pipes
  • Stop Action: Electric
  • 8' Antiphonal to Swell
Swell (III - Expressive)πŸ›ˆ
16'Lieblich Gedeckt
8'Geigen Diapason
8'Geigen Celeste
8'Viole
8'Viole Celeste
8'Copula
8'Flute Celeste
4'Geigen Principal
4'Nason Flute
2β…”'Nazard
2'Blockflote
1'Sifflote
Plein Jeu 1β…“'
Mixture β…”'
16'Trombone
16'Contra Fagotto
8'Trumpet
8'Fagotto
8'Hautbois
8'Vox Humana
4'Clarion
Tremulant
16'Swell to Swell
Swell Unison Off
4'Swell to Swell
8'Choir to Swell
16'Solo to Swell
8'Solo to Swell
4'Solo to Swell
Antiphonal on Swell
  • Position: In Side Chambers at the Front of the Room. No Visible Pipes
  • Stop Action: Electric
  • 8' Antiphonal to Choir
Choir (I - Expressive)πŸ›ˆ
8'Principal
8'Bourdon
8'Viole
8'Viole Celeste
8'Dolce II
4'Principal
4'Nachthorn
2'Octave
1β…“'Larigot
IISesquialtera 2β…”
Cimbal ΒΌ'
16'Bombarde
8'Trompette
8'Tuba
8'English Horn
8'Cromorne
4'Chalumeau
Tremulant
Harp
Bells
Glockenspiel
16'Choir to Choir
Choir Unison Off
4'Choir to Choir
16'Swell to Choir
8'Swell to Choir
4'Swell to Choir
Antiphonal on Choir
  • Position: In Side Chambers at the Front of the Room. No Visible Pipes
  • Stop Action: Electric
  • 8' Antiphonal to Solo
Solo (IV - Expressive)πŸ›ˆ
8'Principal Chorus VIII
8'Flauto Mirabilis
8'Bombarde
8'Trumpet-en-Chamade
8'Tuba
8'French Horn
8'Clarinet
Chimes
16'Solo to Solo
4'Solo to Solo
Antiphonal on Solo
  • Position: In Ceiling Chambers. No Visible Pipes
  • Stop Action: Electric
Antiphonal (Expressive)πŸ›ˆ
8'Principal
8'Hohlflote
8'Viole
8'Viole Celeste
4'Principal
4'KoppelFlote
2'Flute A Bec
IVPlein Jeu
16'Contra Trompette
8'Trompette
8'Oboe
4'Clarion
16'Antiphonal to Antiphonal
Antiphonal Unison Off
4'Antiphonal to Antiphonal
  • Position: In Side Chambers at the Front of the Room. No Visible Pipes
  • Stop Action: Electric
  • 8' Antiphonal to Pedal
PedalπŸ›ˆ
64'Gravissima [as toe stud]
32'Sub Principal (E)DIG
32'Untersatz (E)DIG
16'Open Wood
16'Diapason
16'Principal (E)DIG
16'Viol Principal GT
16'Subbass (E)DIG
16'Gemshorn
16'Lieblich Gedeckt SW
16'Sanft Bass ANT
10β…”'Lieblich Quinte SW
8'Octave
8'Viol Principal GT
8'Rohr Gedeckt
8'Copula SW
8'Rohrflute ANT
4'Choralbass
4'Nachthorn CH
IVMixture 5β…“
IIIMixture 2'
32'Contra Bombarde (E)DIG
32'Sub-Contra Fagotto (E)DIG
16'Bombarde (E)DIG
16'Posaune CH
16'Contra Fagotto SW
8'Trumpet En Chamade
8'Trompete GT
8'Fagotto SW
4'Fagotto SW
4'Cromorne CH
8'Great to Pedal
4'Great to Pedal
8'Swell to Pedal
4'Swell to Pedal
8'Choir to Pedal
4'Choir to Pedal
8'Solo to Pedal
4'Solo to Pedal
Antiphonal on Pedal