Bellingham, Washington
Garden Street United Methodist Church

W.W. KIMBALL CO., Opus ____, 1911
Ernest M. Kuhn, 1955 - New M.P. Möller console
Adrian Koppejan, 19__ - Tonal Changes


GREAT                                        COUPLERS
   8   Diapason                     61          Swell to Pedal                [8],4
   8   Gedackt                      61          Great to Pedal                [8],4
   4   Octave                       61
   III Mixture  1⅓  [19-22-26]     183          Swell to Great             16,[8],4
   8   Trompette                    61
       Tremolo
       Chimes  (Maas; ta – f2)     (21)      FINGER PISTONS
                                                Full Organ                    1 - 4
   Great 16                                     Swell                         1 - 4
   Great 4                                      Great                         1 - 4
                                                Pedal                         1 - 4

SWELL (Expressive)
   16  Bourdon                      61 *     TOE STUDS
   8   Violin Diapason              61 *        Gt. to Ped. Reversible        (rev)
   8   Stopped Diapason             61 *        Sw. to Ped. Reversible        (rev)
   8   Aeoline                      61 *
   4   Flute d'Amour                61 *
   2   Octave                       61       PEDAL MOVEMENTS
   II  Sesquialtera  [12-17]  (tc)  98          Swell Expression             (bal.)
   8   Oboe                         61 *        Crescendo                    (bal.)
       Tremolo

   Swell 16
   Swell 4


PEDAL (32 notes)                             ACTION: E-P
   16  Bourdon                      30 *
   16  Lieblich Gedeckt             30 *     VOICES: 15     STOPS: 17; inc. chimes
   8   Gedeckt  [18 notes]          --
   16  Trombone             (prep)  --       RANKS: 18      PIPES: 1,012


NOTES
The original Kimball was installed on the central axis of the Akron plan sanctuary.
The facade contains __ gold-painted pipes.

The new Möller console was installed by Möller representative Ernest M. Kuhn in 1955.
It is not presently known if any tonal changes were made at this time or if this was
just an electrification of the playing action.

In 19__, Canadian organ builder Adrian Koppejan of Chilliwac, B.C. made tonal changes
to the instrument.

Stops marked with an asterisk (*) are retained from the original 1911 Kimball.

Sources: Eugene M. Nye compilation; JRS; extant organ

 [Received from James R. Stettner 2013-08-20.]