Alameda, California
First Presbyterian Church
Austin, Opus 272, 1909
Unknown Builder, 1970's - Installation and tonal modifications
GREAT (unenclosed)
8' Hohlflute 61
8' Dulciana 61
8' Gamba 61
4' Octave 61
II Sesquialtera (added) 122
III Mixture (added) 183
Chimes (Deagan; G -g) (25)
Gt to Gt 4'
SWELL (Expressive)
8' Principal 61
8' Gedeckt 61
8' Viole Celeste (tc) 49 (?)
8' Salicional 61
4' Harmonic Flute 61
2' Doublette (added) 61
8' Oboe 61
8' Vox Humana (added) 61
Tremulant
Sw to Sw 16'
Swell Unison
Sw to Sw 4'*
PEDAL (unenclosed)
32' Resultant (derived) --
16' Contrebass (Bourdon) 32
16' Subbass (added) 32
8' Principal (20 n) --
8' Bourdon (20 n) --
INTER-DIVISIONAL COUPERS
Great to Pedal 8' , 4'
Swell to Pedal 8' , 4'
Swell to Great 16', 8' , 4'
FINGER PISTONS
General 1 - 5
Swell 1 - 3
Great 1 - 3
Pedal 1 - 3 (I think)
Sforz (rev)
Gen Can
TOE STUDS
General 1 - 5
Sforz (rev)
PEDAL MOVEMENTS
Swell Expression (bal.)
Crescendo (bal.)
NOTES
Console ca. 1970s? The super-octave pipes (62 to 73) were removed
long ago so the 4' manual couplers only help up to c 49. Not usually
a problem. The Great chimes are 2 octaves, G to G; located in the
Swell box so impacted by swell shutters and paddle tremolo. The Pedal
8' stops are borrowed from the 16' ranks but without extension pipes,
so they run out at G 20. The Swell Tremulant is a standard Austin
paddle tremolo.
[Current stoplist -- from David Zechman. On-line update from Vince Ho.]