Cos Cob, Connecticut
Diamond Hill United Methodist Church

C.E. Morey, No. 287, 1912

Compass: 61/27 (flat pedalboard has radiating sharps)
Pitch: A435
Pressure: 75 mm (3")

GREAT
Gr. Open Diapason    8' 1-20 facade
Gr. Melodia          8' 1-12 stopped wood; arched upper lips
Gr. Dulciana         8'
Gr. Octave           4'
Gr. Fifteenth        2'

SWELL (enclosed, vertical shutters)
Sw. Violin Diapason  8' 1-12 Quintadena basses
Sw. Stopped Diapason 8' bored stoppers #38-61; arched upper lips 
Sw. Aeoline          8' 1-12 common with St. Diap.; box beards
Sw. Vox Celeste      8' 49 pipes from t.c. identical to Aeoline, tuned sharp
Sw. Flute d'Amour    4' wood, bored stoppers and arched upper lips; #38-61 open metal
Sw. Oboe             8' 1-12 Quintadena basses (original); rank was originally an Oboe Gamba,
                        present reed pipes of unknown provenance and date, 
                        top octave original Gamba pipes; new rackboard
PEDAL
Ped. Bourdon        16' divided bottom octave and treble, at sides of instrument
                        bottom octave narrow scale, becoming progressively deeper as scale descends,
                        arched upper lips

COUPLERS by on-off pistons below their respective keyboards
Sw. - Gr.
Gr. - Pedal
Sw. - Pedal

MECHANICALS
Tremolo (beater type, affects Swell)
Bellows Signal (unlabeled knob under Gr. keyboard, now controls blower switch)
Four unlabeled combination pedals:
  Great: Forte, Piano
  Swell: Forte, Piano
Balanced mechanical Swell expression pedal, positioned centrally

Double-rise reservoir with inverted fold and two feeders: operational
New Ventus blower 2002; old Spencer from former organ originally reused, still in cellar 2015, derelict
Oblique stopknobs
Organ originally cone tuned, pipes recently trimmed and fitted with new slide tuners
The original ivory naturals have recently been recovered with a synthetic resin
 

 [Received from scot huntington 2015-04-16.]