Seattle, Washington
St. Edward Parish, R.C.
BALCOM and VAUGHAN PIPE ORGANS, INC., Opus 730, 1964 - Original Specifications
GREAT POSITIV (Expressive *)
16 Contra Gemshorn 12 8 Copula (*) 61
8 Prinzipal 61 8 Spitz Gamba (*) 61
8 Bordun 61 8 Spitz Gamba Celeste (*) 49
8 Gemshorn 61 4 Suavial 61
4 Oktav 61 4 Gemsrohrpommer (*) 61
4 Quintade 61 2 Spill Flöte 61
2 Schweizer Pfeife 61 1-1/3 Rohr Quint 61
III Fourniture 183 1 Klein Prinzipal 61
8 Trompette-en-Chamade 61 8 Cromorne (*) 61
Tremulant
Great to Great 16' 8 Trompette-en-Chamade (Gt) --
Great Unison Off 8' 8 Hautbois (Sw) --
Great to Great 4'
Positiv to Positiv 16'
Positiv Unison Off 8'
SWELL (Expressive) Positiv to Positiv 4'
16 Rohr Bordun 12
8 Rohr Flöte 61
8 Viola 61 PEDAL
8 Viola Celeste (tc) 49 16 Contra Bass 12
4 Italian Prinzipal 61 16 Gemshorn (Gt) --
4 Koppel Flöte 61 16 Sub Bass 12
2-2/3 Nasat 61 16 Rohr Bordun (Sw) --
2 Block Flöte 61 8 Prestant 32
1-3/5 Gems Terz 61 8 Gemshorn (Gt) --
III Plein Jeu 183 8 Rohr Bordun (Sw) --
16 Basson 12 4 Kupfer Prinzipal 32
8 Trompette 61 4 Koppel (Sw) --
8 Hautbois 61 2 Spill Flöte (Pos) --
4 Clairon 61 II Rausch Quint 64
Tremulant 16 Posaune 32
16 Basson (Sw) --
Swell to Swell 16' 8 Posaune 12
Swell Unison Off 8' 4 Clairon (Sw) --
Swell to Swell 4' 4 Cromorne (Pos) --
COUPLERS FINGER PISTONS
Swell to Pedal 8,4 General 1 – 10
Great to Pedal 8,4 Swell 1 – 6
Positiv to Pedal 8,4 Sw. to Ped. (rev)
Sw. to Gt. (rev)
Swell to Great 16,8,4 Sw. to Pos. (rev)
Positiv to Great 16,8,4 Great 1 – 6
Gt. to Ped. (rev)
Swell to Positiv 16,8,4 Positiv 1 – 6
Pos. to Ped. (rev)
Positiv to Swell 8 Pos. to Gt. (rev)
Pedal 1 – 6
Sforz. (rev)
TOE STUDS Set
General 1 – 8 Canc.
Pedal 1 – 5
Gt. to Ped. (rev)
Sw. to Ped. (rev) PEDAL MOVEMENTS
Pos. to Ped. (rev) Swell Expression (bal.)
Cymbelstern (rev) Positiv Expression (bal.)
Crescendo (bal.)
ACTION E-P unit VOICES: 33 STOPS: 50 RANKS: 38 PIPES: 2,221
NOTES
The organ is located in a loft over the rear gallery. The Great, Pedal, and non-expressive
portion of the Positiv are exposed. The expressive portion of the Positiv is on the right
and the Swell is on the left.
The console sits with the organist facing the pipes. The stops are clustered by families
of tone in each division rather than by traditional ascending pitch.
Sources: Balcom and Vaughan opus list & files; extant, altered organ.
[Received from James R. Stettner 2012-08-07.]