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| Great (II - Expressive) | ||
| 8' | Principal | 61 |
| 8' | Holz Flöte * | 61 |
| 8' | Spitz Viol * | 61 |
| 4' | Octave | 61 |
| 4' | Spill Flote | POS |
| 2 2⁄3' | Twelfth | 61 |
| 2' | Fifteenth | 61 |
| 2' | Block Flöte * | 61 |
| IV | Fourniture 1⅓' * | 244 |
| 8' | Trumpet + | 61 |
| Great 16' Sub Octave | ||
| Great Unison Off | ||
| Great 4' Super Octave | ||
| 16' | Swell to Great | |
| 8' | Swell to Great | |
| 4' | Swell to Great | |
| 16' | Choir to Great | |
| 8' | Choir to Great | |
| 4' | Choir to Great | |
| 8' | Positiv to Great |
| Swell (III - Expressive) | ||
| 8' | Geigen Principal | 61 |
| 8' | Gedackt | 61 |
| 8' | Viole de Gambe | 61 |
| 8' | Viole Celeste [tc] | 49 |
| 8' | Aeoline | 61 |
| 4' | Prestant | 61 |
| 4' | Harmonic Flute | 61 |
| 2' | Octavin | 61 |
| III | Plein Jeu [1'] | 183 |
| 16' | Fagotto + | |
| 8' | Trompette + | 61 |
| 8' | Hautbois + | 61 |
| 8' | Vox Humana | 61 |
| 4' | Rohr Schalmei + | 61 |
| Tremolo | ||
| Swell 16' Sub Octave | ||
| Swell Unison Off | ||
| Swell 4' Super Octave |
| Choir (I - Expressive) | ||
| 8' | Viola Pomposa * | 61 |
| 8' | Viola Celeste [tc] * | 49 |
| 8' | Rohr Flute ♦ | 61 |
| 8' | Gemshorn | 61 |
| 8' | Gemshorn Celeste [tc] | 49 |
| 4' | Koppel Flöte ♦ | 61 |
| 4' | Rohr Flute | 12 |
| 2 2⁄3' | Nazard | 61 |
| 2' | Zauber Flöte * | 61 |
| 1 3⁄5' | Terz | 61 |
| 8' | Flügel Horn | 61 |
| 8' | Clarinet | 61 |
| 8' | Krummhorn + | 61 |
| Tremolo | ||
| Choir 16' Sub Octave | ||
| Choir Unison Off | ||
| Choir 4' Super Octave | ||
| 8' | Swell to Choir | |
| 4' | Swell to Choir | |
| 8' | Positiv to Choir |
| Positiv | ||
| 8' | Bourdon * | 61 |
| 4' | Spitz Flöte * | 61 |
| 2 2⁄3' | Nasat * | 61 |
| 2' | Prinzipal * | 61 |
| 1 1⁄3' | Larigot * | 61 |
| 1' | Sifflöte * | 61 |
| Tremolo |
| Pedal | ||
| 32' | Resultant | |
| 16' | Open Diapason | DIG |
| 16' | Violone | DIG |
| 16' | Bourdon | 32 |
| 16' | Lieblich Gedeckt | 12 POS |
| 8' | Principal | 32 |
| 8' | Bass Flute | 12 |
| 5 1⁄3' | Quinte | |
| 4' | Choral Bass | 12 |
| 4' | Nacht Horn | 12 |
| III | Mixture [2'] | |
| 16' | Bombarde + | 12 SW |
| 16' | Fagotto | SW |
| 16' | Krummhorn + | 12 CH |
| 8' | Swell to Pedal | |
| 4' | Swell to Pedal | |
| 8' | Great to Pedal | |
| 4' | Great to Pedal | |
| 8' | Choir to Pedal | |
| 4' | Choir to Pedal | |
| 8' | Positiv to Pedal |
FINGER PISTONS: General 1-5, Swell 1-5, Great 1-5, Choir 1-5, Pedal 1-5, G.C.; TOE STUDS: General 1-5, Gr. to Ped. (rev), Sw. to Ped. (rev) Sforz. (rev); Swell Expression (bal.), Gt/Ch Expression (bal.), Crescendo (bal.). NOTES: Stops marked with an asterisk (*) were made by Aeolian-Skinner. Stops marked with a plus symbol (+) were made by A.R. Schoopp Sons. Stops marked with a diamond (♦) were made by Jacques Stinkens of Zeist, Holland. There is some new Reuter pipework. The remaining pipework is from used sources, and much of it is Estey.
Originally Written/Published: May, 1994
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This entry represents the installation of a 'new' organ by the owner, created from both new and used pipework. Windchests were built by the owner in the style of Kilgen unit chests in consultation wth Bill Bunch of Balcom and Vaughan. There were some Morton chests with top-note magnets. Combination action and relay were Klann.
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