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| Great (II)🛈 | ||
| 16' | Bourdon | 68 |
| 8' | Open Diapason | 68 |
| 8' | Open Flute | 68 |
| 8' | Stopped Diapason | 68 |
| 4' | Principal | 68 |
| 4' | Wald Flute | 68 |
| 2 2⁄3' | Twelfth | 61 |
| 2' | Fifteenth | 61 |
| III | Cornet🛈 | 183 |
| V | Mixture | 305 |
| 16' | Double Trumpet | 68 |
| 8' | Trumpet | 68 |
| 4' | Clarion | 68 |
| 16' | Swell to Great | |
| 16' | Choir to Great | |
| 16' | Antiphonal to Great | |
| 8' | Swell to Great | |
| 8' | Choir to Great | |
| 8' | Antiphonal to Great | |
| 4' | Swell to Great | |
| 4' | Choir to Great | |
| 4' | Antiphonal to Great | |
| Chamade on Great |
| Swell (III - Expressive)🛈 | ||
| 8' | Geigen Principal | 68 |
| 8' | Spitz Flute | 68 |
| 8' | Schwebung🛈 | 68 |
| 8' | Viola da Gamba | 68 |
| 8' | Voix Celeste | 68 |
| 8' | Chimney Flute | 68 |
| 4' | Octave Geigen | 68 |
| 4' | Holz Gedeckt | 68 |
| 2' | Flautino | 61 |
| IV | Plein Jeu | 244 |
| 16' | Contra Fagotto | 68 |
| 8' | Cornopean | 68 |
| 8' | Oboe | 68 |
| 4' | Clarion | 68 |
| Tremulant | ||
| Swell Super | ||
| Chamade on Swell |
| Choir (I)🛈 | ||
| 8' | Spitz Flute | SW |
| 8' | Schwebung🛈 | SW |
| 8' | Gedackt | 68 |
| 4' | Principal | 68 |
| 4' | Spire Flute | 68 |
| 2 2⁄3' | Nazard | 61 |
| 2' | Clear Flute | 61 |
| 1 3⁄5' | Tierce | 61 |
| IV | Sharp Mixture | 244 |
| 8' | Cremona | 68 |
| Tremulant | ||
| Choir Super | ||
| 16' | Swell to Choir | |
| 16' | Antiphonal to Choir | |
| 8' | Swell to Choir | |
| 8' | Antiphonal to Choir | |
| 4' | Swell to Choir | |
| 4' | Antiphonal to Choir | |
| Chamade on Choir |
| Antiphonal (IV - Expressive)🛈 | ||
| 8' | Principal | 68 |
| 4' | Octave | 68 |
| III-IV | Fourniture | 232 |
| 8' | Festival Trumpet | 68 |
| Antiphonal Sub | ||
| Antiphonal Unison Off | ||
| Antiphonal Super | ||
| Chamade on Antiphonal |
| Pedal🛈 | ||
| 32' | Resultant🛈 | |
| 16' | Open Wood🛈 | 32 |
| 16' | Bourdon | 32 |
| 16' | Subbass | 32 |
| 10 2⁄3' | Quint | 32 |
| 8' | Octave | 32 |
| 8' | Stopped Flute | 12 Bourdon? |
| 8' | Cello | 32 |
| 5 1⁄3' | Octave Quint | 12 Quint |
| 4' | Super Octave | 12 Octave |
| 4' | Octave Flute | 32 |
| III | Mixture | 96 |
| 32' | Contra Trombone | 12 Trombone |
| 16' | Trombone | 32 |
| 16' | Contra Fagotto | SW |
| 8' | Tromba | 12 Trombone |
| 4' | Clarion | 12 Trombone |
| 8' | Great to Pedal | |
| 8' | Swell to Pedal | |
| 8' | Choir to Pedal | |
| 8' | Antiphonal to Pedal | |
| 4' | Great to Pedal | |
| 4' | Swell to Pedal | |
| 4' | Choir to Pedal | |
| 4' | Antiphonal to Pedal |
| Antiphonal Pedal (Expressive)🛈 | ||
| 16' | Bourdon | 32 |
| 8' | Stopped Flute | 12 ANT Bourdon |
| Chamade🛈 | ||
| 8' | Chamade | 61 |
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The original organ was built by Charles Summer Warren, of Montréal, in 1871 [Ed.: Elsewhere reported as 1873, cost $5000. Also S.R. Warren & Sons, spec. Charles, were not established until 1879, and Charles is not reported to be involved before that date. It is highly likely the company was operating still as S. R. Warren at this date.]
In 1918, the instrument was rebuilt and enlarged by Karn-Morris/Woodstock, of Woodstock, ON. It was again completely rebuilt, incorporating much of the original pipework, by Casavant Frères, of St Hyacinthe, QC, in 1952/1953. In 1976, they further modified and added to the instrument when the Choir division was moved to the west of the Great division and left unenclosed. A Trompette-en-Chamade was added in 1997 by Guilbault-Thérien, of St Hyacinthe. In 2012, the 1970s Contrabass was replaced by an Open Wood made by C.S. Haskell, of Philadelphia, in the 1920s.
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