Alfred Kern et Fils
1973
Église Notre-Dame-des-Victoires
6 rue Notre-Dame des Victoires
Paris, FR
49 Ranks - 3,500 Pipes
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IMAGES
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STOPLISTS
| Grand-Orgue (II)🛈 | ||
| 16' | Montre | 56 |
| 8' | Montre | 56 |
| 8' | Bourdon | 56 |
| 5 1⁄3' | Gros Nasard | 56 |
| 4' | Prestant | 56 |
| 3 1⁄5' | Grosse Tierce | 56 |
| 2' | Doublette | 56 |
| V | Cornet | 280 |
| II | Grosse Fourniture | 112 |
| III | Fourniture | 168 |
| IV | Cymbale | 224 |
| 8' | Trompette | 56 |
| 4' | Clairon | 56 |
| Tremblant | ||
| 8' | Positif to Grand-Orgue | |
| 8' | Récit Expressif to Grand-Orgue |
| Récit Expressif (III - Expressive)🛈 | ||
| 16' | Quintaton | 56 |
| 8' | Principal | 56 |
| 8' | Bourdon | 56 |
| 8' | Unda Maris | 56 |
| 4' | Prestant | 56 |
| 2' | Doublette | 56 |
| 1' | Sifflet | 56 |
| IV | Cymbale | 224 |
| 16' | Bombarde | 56 |
| 8' | Trompette | 56 |
| 8' | Hautbois | 56 |
| 4' | Clairon | 56 |
| Tremblant | ||
| 8' | Positif to Récit Expressif |
| Positif (I)🛈 | ||
| 8' | Bourdon | 56 |
| 4' | Montre | 56 |
| 4' | Flûte à Cheminée | 56 |
| 2 2⁄3' | Nasard | 56 |
| 2' | Doublette | 56 |
| 1 3⁄5' | Tierce | 56 |
| 1 1⁄3' | Larigot | 56 |
| III | Cymbale | 168 |
| 8' | Cromorne | 56 |
| Tremblant |
| Solo (IV)🛈 | ||
| 8' | Flûte à Cheminée | 56 |
| 8' | Flûte à Fuseau | 56 |
| III | Cornet | 168 |
| 8' | Voix Humaine | 56 |
| Pédale🛈 | ||
| 16' | Soubasse | 30 |
| 16' | Principal | 30 |
| Quinte' | 10 2/3 | 30 |
| 8' | Flûte | 30 |
| 4' | Prestant | 30 |
| 2' | Nachthorn | 30 |
| IV | Fourniture | 120 |
| 16' | Bombarde | 30 |
| 8' | Trompette | 30 |
| 4' | Clairon | 30 |
| 4' | Chalumeau | 30 |
| 8' | Grand-Orgue to Pédale | |
| 8' | Positif to Pédale | |
| 8' | Récit Expressif to Pédale |
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CONSOLES
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DETAILS
This instrument is: Extant and Playable in this location
From Organs of Paris:
1973: A new instrument was built by Alfred Kern in a Franco-German neoclassical style. The case [made in 1739 by Louis Régnier] was then completely restored and about seven old stops were used in the composition of the new organ. If the stops of Mutations and the reeds are rather inspired by the French classical construction, the Pleins-Jeux are inspired by the North German organ. A Swell was placed in the base of the instrument (lack of space). Two adjoining cases were built on either side of the large case to house the pedal stops.
1995: A complete overhaul by Muhleisen (Georges Walther and André Schaerer).
2015: Yves Fossaert and Muhleisen carried out a new overhaul.
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