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| Great (I)🛈 | ||
| 8' | 1st Open Diapason | 54 |
| 8' | Second Open Diapason | 54 |
| 8' | Stop'd Diapason | 54 |
| 8' | Clarabella | 54 |
| 4' | Principal | 54 |
| 4' | Night Horn | 54 |
| 2 2⁄3' | Twelfth | 54 |
| 2' | Fifteenth | 54 |
| 1 3⁄5' | Tierce | 54 |
| 8' | Trumpet Bass | 12 |
| 8' | Trumpet Treble | 42 |
| 8' | Swell to Great |
| Swell (II)🛈 | ||
| 8' | Open Diapason | 42 |
| 8' | Stop'd Diapason | 42 |
| 8' | Dulciana | 42 |
| 4' | Principal | 42 |
| 4' | Flute | 42 |
| 2' | Fifteenth | 42 |
| 2' | Picola [sic] | 42 |
| Cornet | 126 | |
| 8' | Hautboy | 42 |
| 8' | Trumpet | 42 |
| 8' | Open Diapason Choir Bass | 12 |
| 4' | Principal Choir Bass | 12 |
| 2' | Fifteenth Choir Bass | 12 |
| Pedal🛈 | ||
| 16' | Double Open Diapason | 25 |
| Octave Pedal | ||
| 8' | Great to Pedal |
Compass is CCC to F in alto. All modern improvements, as regards action, composition pedals, &c., are to be found combined in this instrument. Bellows Alarm. Swell Pedal Check.
Originally Written/Published: February 19, 1847
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Dedicated February 11, 1847. See DOCUMENTS tab for articles reporting the dedication and the published stoplist.
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