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| Great (I)🛈 | ||
| 16' | Double Open Diapason🛈 | 58 |
| 8' | Open Diapason | 58 |
| 8' | Melodia🛈 | 58 |
| 8' | Gamba | 58 |
| 4' | Principal | 58 |
| 4' | Flute Harmonic🛈 | 58 |
| 3' | Nasard | 58 |
| 2' | Piccolo | 58 |
| Swell to Great |
| Swell (II - Expressive)🛈 | ||
| 8' | Open Diapason🛈 | 58 |
| 8' | Stopped Diapason🛈 | 58 |
| 8' | Salicional | 58 |
| 8' | Dulciana | 58 |
| 4' | Flauto Traverso | 58 |
| 2' | Flageolet | 58 |
| II | Cornet | 115 |
| 8' | Oboe and Bassoon | 58 |
| Pedal🛈 | ||
| 16' | Double Open Diapason🛈 | 27 |
| 16' | Bourdon🛈 | 27 |
| Swell to Pedal | ||
| Great to Pedal |
Bellows signal; Tremulant; Balanced Swell Pedal; Fort[e] to Great Organ; Piano to Great Organ; "to the above is added a separate organ connected by long, delicate trackers with the keyboard, but situated in the loft above the lecture-room and containing the pipes of the celebrated Vox Humana stop. The effect of this arrangement is of human voices singing at a distance."
Originally Written/Published: November 5, 1886
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This entry represents the installation of a new organ. Identified through online information from Andrew Henderson (September 10, 2024).
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