Glatter-Götz / Rosales
2024
Trinity Episcopal Church
Broadway at Wall Street
New York City: Manhattan, NY, US
145 Ranks - 8,013 Pipes - 11 Physical Divisions
Instrument ID: 71167 ● Builder ID: 7356 ● Location ID: 7537
⬆️ These are database IDs that may change. Don't use as academic reference.EXPLORE IMAGESVIEW STOPLISTSomething not quite correct?Suggest an Edit
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IMAGES
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STOPLISTS
| Gallery Great (II)🛈 | ||
| 32' | Violone🛈 | 7 |
| 16' | Principal🛈 | 61 |
| 16' | Violone | 61 |
| 16' | Bourdon🛈 | |
| 8' | Principal | 61 |
| 8' | Bell Diapason | 61 |
| 8' | Salicional🛈 | 49 |
| 8' | Flûte harmonique | 61 |
| 8' | Rohrflöte | 61 |
| 8' | Bourdon | 61 |
| 5 1⁄3' | Gros Nasard | 61 |
| 4' | Octave | 61 |
| 4' | Spitzflöte | 61 |
| 3 1⁄5' | Grosse Tierce | 61 |
| 2 2⁄3' | Octave Quint | 61 |
| 2' | Super Octave | 61 |
| 2' | Waldflöte | 61 |
| V | Corneta🛈 | 215 |
| VIII | Mixture | 336 |
| IV | Fourniture | 244 |
| 8' | Trumpet | 61 |
| Tremolo | ||
| 16' | Contra Tromba | 61 |
| 8' | Tromba | 61 |
| 4' | Tromba Clarion | 61 |
| 8' | Trompette-en-chamade | 61 |
| Gallery Great Unison Off | ||
| 8' | Gallery Swell to Gallery Great | |
| 8' | Gallery Choir to Gallery Great | |
| 8' | Gallery Chaire to Gallery Great | |
| 8' | Gallery Solo to Gallery Great | |
| 16' | Gallery Swell to Gallery Great | |
| 16' | Gallery Choir to Gallery Great | |
| 16' | Gallery Solo to Gallery Great | |
| 4' | Gallery Swell to Gallery Great | |
| 4' | Gallery Choir to Gallery Great | |
| 4' | Gallery Solo to Gallery Great |
| Gallery Chaire (I)🛈 | ||
| 8' | Prestant🛈 | 61 |
| 8' | Voce umana [TF]🛈 | 44 |
| 8' | Hohlflöte | 61 |
| 4' | Octave douce | 61 |
| 2 2⁄3' | Nasard | 61 |
| 2' | Doublet | 61 |
| 1 3⁄5' | Tierce | 61 |
| 1 1⁄3' | Larigot | 61 |
| 8' | Dulzaína | 61 |
| Tremolo | ||
| Gallery Chaire Unison Off |
| Gallery Swell (III - Expressive)🛈 | ||
| 16' | Lieblich Gedeckt | 61 |
| 8' | Diapason | 61 |
| 8' | Viole de gambe | 61 |
| 8' | Voix céleste | 61 |
| 8' | Flûte traversière | 61 |
| 8' | Bourdon | 61 |
| 4' | Principal | 61 |
| 4' | Flûte octaviante | 61 |
| 2 2⁄3' | Nasard | 61 |
| 2' | Octavin | 61 |
| 1 3⁄5' | Tierce | 61 |
| III-V | Plein jeu | 269 |
| 8' | Trumpet | 61 |
| 8' | Hautbois | 61 |
| 8' | Voix humaine | 61 |
| Tremolo | ||
| 16' | Waldhorn | 61 |
| 8' | Cornopean | 61 |
| 4' | Clarion | 61 |
| Gallery Swell Unison Off | ||
| 16' | Gallery Swell to Gallery Swell | |
| 4' | Gallery Swell to Gallery Swell | |
| 8' | Gallery Solo to Gallery Swell | |
| 8' | Gallery Choir to Gallery Swell |
| Gallery Choir (I - Expressive)🛈 | ||
| 16' | Corno dolce | 61 |
| 8' | Geigen Principal | 61 |
| 8' | Dulciana | 61 |
| 8' | Vox angelica | 61 |
| 4' | Principal | 61 |
| 4' | Flute | 61 |
| 2 2⁄3' | Nasard | 61 |
| 2' | Doublet | 61 |
| 1 3⁄5' | Tierce | 61 |
| 1 1⁄7' | Septième | 61 |
| 1' | Piccolo | 61 |
| 8⁄9' | Neuvième | 61 |
| IV-V | Mixture | 250 |
| 16' | Contra Fagotto | 61 |
| 8' | Clarinet | 61 |
| 8' | Flügel Horn | 61 |
| Tremolo | ||
| 8' | Tuba Minor | 61 |
| 8' | Tuba Mirabilis | SO |
| 8' | Trompette-en-chamade | GR |
| Gallery Choir Unison Off | ||
| 16' | Gallery Choir to Gallery Choir | |
| 4' | Gallery Choir to Gallery Choir | |
| Great Trombas on Choir | ||
| 8' | Gallery Swell to Gallery Choir | |
| 8' | Gallery Solo to Gallery Choir | |
| 8' | Gallery Pedal to Gallery Choir |
| Gallery Solo (IV - Expressive)🛈 | ||
| 8' | Violoncello | 73 |
| 8' | Gamba Celeste | 73 |
| 8' | Doppelflöte | 73 |
| 4' | Orchestral Flute | 73 |
| 16' | Corno di bassetto | 61 |
| 8' | Corno di bassetto🛈 | 12 |
| 8' | French Horn | 61 |
| 8' | English Horn | 61 |
| Tremolo | ||
| 8' | Tuba Mirabilis | 61 |
| Glockenspiel | ||
| 16' | Tuba Magna🛈 | 61 |
| 8' | Tuba Magna🛈 | 12 |
| 4' | Tuba Magna🛈 | 12 |
| 8' | Trompette-en-chamade | GR |
| 16' | Violone | GR |
| Gallery Solo Unison Off | ||
| 16' | Gallery Solo to Gallery Solo | |
| 4' | Gallery Solo to Gallery Solo |
| Gallery Pedal🛈 | ||
| 32' | Resultant | |
| 32' | Open Wood🛈 | 7 |
| 32' | Violone | GR |
| 16' | Open Wood | 32 |
| 16' | Principal | GR |
| 16' | Bourdon | 32 |
| 16' | Corno dolce | CH |
| 16' | Lieblich Gedeckt | SW |
| 10 2⁄3' | Quint🛈 | |
| 8' | Octave | 32 |
| 8' | Open Wood🛈 | 12 |
| 8' | Violone | GR |
| 8' | Bourdon🛈 | 12 |
| 8' | Lieblich Gedeckt | SW |
| 4' | Super Octave | 32 |
| 4' | Flûte🛈 | 12 |
| 4' | Bourdon🛈 | 12 |
| 32' | Contra Trombone | 32 |
| 16' | Trombone🛈 | 12 |
| 16' | Posaune | 32 |
| 16' | Tuba Magna | SO |
| 16' | Tromba | GR |
| 16' | Waldhorn | SW |
| 16' | Fagotto | CH |
| 16' | Corno di Bassetto | SO |
| 8' | Tromba🛈 | 12 |
| 8' | Trumpet🛈 | 12 |
| 4' | Clarion | 32 |
| 4' | Octave Tromba🛈 | 12 |
| 8' | Trompette-en-chamade | GR |
| 8' | Tuba Mirabilis | SO |
| Gallery Pedal Unison Off | ||
| 8' | Gallery Great to Gallery Pedal | |
| 8' | Gallery Swell to Gallery Pedal | |
| 8' | Gallery Choir to Gallery Pedal | |
| 8' | Gallery Chaire to Gallery Pedal | |
| 8' | Gallery Solo to Gallery Pedal | |
| 4' | Gallery Swell to Gallery Pedal | |
| 4' | Gallery Choir to Gallery Pedal | |
| 4' | Gallery Solo to Gallery Pedal |
| Chancel Great (II - Expressive)🛈 | ||
| 8' | Diapason🛈 | 61 |
| 4' | Octave🛈 | 61 |
| 16' | Bourdon | 61 |
| 8' | Chimney Flute🛈 | 12 |
| 8' | Salicional | CH SW |
| 4' | Spire Flute | 61 |
| 2' | Fifteenth | 61 |
| IV | Mixture | 244 |
| 8' | Bell Clarinet | 61 |
| Tremolo | ||
| Chancel Great Unison Off | ||
| 8' | Chancel Swell to Chancel Great | |
| 8' | Chancel Positive to Chancel Great | |
| 8' | Chancel Solo to Chancel Great | |
| 16' | Chancel Swell to Chancel Great | |
| 4' | Chancel Swell to Chancel Great |
| Chancel Positive (I)🛈 | ||
| 8' | Principal🛈 | 61 |
| 8' | Gedeckt | 61 |
| 4' | Hohlflöte | 61 |
| 2' | Doublet | 61 |
| Chancel Positive Unison Off | ||
| 8' | Chancel Swell to Chancel Positive | |
| 8' | Chancel Pedal to Chancel Positive |
| Chancel Swell (III - Expressive)🛈 | ||
| 8' | Geigen Principal | 61 |
| 8' | Harmonic Flute🛈 | 49 |
| 8' | Salicional | 61 |
| 8' | Celeste | 61 |
| 4' | Fugara | 61 |
| 4' | Flute | 61 |
| 2 2⁄3' | Nasard | 61 |
| 2' | Piccolo | 61 |
| 1 3⁄5' | Tierce | 61 |
| 16' | Contra Oboe | 61 |
| 8' | Trompette | 61 |
| 8' | Oboe🛈 | 12 |
| Tremolo | ||
| Chancel Swell Unison Off | ||
| 4' | Chancel Swell to Chancel Swell |
| Chancel Solo (IV - Expressive)🛈 | ||
| 8' | Aeoline | 61 |
| 8' | Unda Maris | 61 |
| 8' | Vox Humana | 61 |
| Tremolo | ||
| 16' | Trombone | 61 |
| 8' | Trumpet | 61 |
| 4' | Clarion | 61 |
| Great Trombas on Solo | ||
| Chancel Solo Unison Off | ||
| 16' | Chancel Solo to Chancel Solo | |
| 4' | Chancel Solo to Chancel Solo |
| Chancel Pedal🛈 | ||
| 32' | Resultant | |
| 16' | Open Bass | 32 |
| 16' | Bourdon | CH GR |
| 8' | Octave Bass🛈 | 12 |
| 8' | Diapason | CH GR |
| 8' | Chimney Flute | CH GR |
| 8' | Salicional | CH SW |
| 4' | Octave | CH GR |
| 4' | Chimney Flute | CH GR |
| 16' | Trombone | CH SO |
| 16' | Contra Oboe | CH SW |
| 8' | Trumpet | CH SO |
| 4' | Clarion | CH SO |
| Chancel Pedal Unison Off | ||
| 8' | Chancel Great to Chancel Pedal | |
| 8' | Chancel Swell to Chancel Pedal | |
| 8' | Chancel Positive to Chancel Pedal | |
| 8' | Chancel Solo to Chancel Pedal |
As printed in the program for Stephen Tharp's October 7, 2025 recital (with minor corrections). [Submitted by Edmond Johnson, 2025-10-10].
Additional information from Manuel Rosales:
"The Great 8’ Bourdon is a narrow scale wood stop, the softest Great voice. It plays also on the Great as a 16’ Bourdon using the bottom octave of the Pedal 16’ Bourdon/Subbass.
The Pedal 10 2/3’ (smart) Quint varies according to which unison 16’ stop is on. It is not a typical resultant that breaks back to its 16’ CCC at note #13.
Instead it is a 32 note 10 2/3’ Quint. The 32’ Resultant will not be a 'smart' stop and it will be set up with notes 13-32 sounding at 32’ pitch, most likely from the 16’ Bourdon."
Originally Written/Published: 2025
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CONSOLES
Builder: Glatter-Götz / Rosales
Position: Movable Console
Design: Traditional Without Cover
Pedalboard Type: Concave Radiating (Meeting AGO Standards)
Features:
4 Manuals (61 Notes)32 Note Pedal11 DivisionsElectrical Key ActionElectrical Stop Action✓ Crescendo✓ Sostenuto✓ Pedal Divide✓ Sequencer✓ Record/Playback✓ Wireless Control✓ Combination Thumb Piston(s)✓ Combination Toe Piston(s)✓ Coupler Toe Piston(s)Stop Layout: Drawknobs in Horizontal Rows on Terraced/Stepped Jambs
Expression Type: Balanced Expression Shoes/Pedals (Meeting AGO Standards)
Combination Action: Computerized/Digital
Control System: SSOS MultiSystem II
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DETAILS
This instrument is: Extant and Playable in this location
This entry represents the installation of a new organ. Identified through online information from Facebook posts by Manuel Rosales and from the Trinity Church website.
A question was raised about whether or not the new instrument contained any retained pipework from the previous Aeolian-Skinner instrument. I initiated contact with Manuel Rosales who kindly responded via Facebook Messenger the evening of August 2, 2025. This was his response:
"All Gallery pipes are new and custom made in Portugal, Germany, Spain and manual reeds in England. The 32’ Trombone (unit) and other pedal reeds were made by A.R. Schopps. All Chancel pipes are new and custom made in Germany and all reeds by A.R. Schopps and Sons. All windchests, bellows and both consoles were made by GGO in Germany. There are no used or refurbished pipes or mechanisms."
The only items retained were the historic gallery 1846 Erben case and the chancel 1901 Hook & Hastings cases.
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